Issue 4 of The Psycho-Creative Journal explores intuitive painting as a psycho-creative practice that reveals fundamental processes of creativity, emotional transformation, and inner connection.
Across five articles, intuitive painting is presented not merely as an artistic activity, but as a structured space in which natural creativity can re-emerge. When excessive self-criticism is reduced and expression is no longer guided by predefined standards, emotional experience begins to move, change, and reorganize through color, form, and spontaneous action.
The articles examine this process from multiple perspectives: the role of passion as an expression of latent talent, the reduction of internal criticism, the transformation of emotional experience through non-verbal expression, and the restoration of communication between conscious and unconscious processes. The issue concludes by presenting intuitive painting as a broader model for living, extending these principles beyond the canvas.
Together, these contributions suggest that psychological change may not depend solely on interpretation or understanding, but on the restoration of natural creative movement as a central pathway for transformation.
Dr. Pinkie Feinstein, Anat Dana IPI, The Psycho-Creative Journal, Volume 4, Article 1, April 2026 Abstract This paper proposes a redefinition of talent that challenges
Dr. Pinkie Feinstein, Sivan Mast IPI, The Psycho-Creative Journal, Volume 4, Article 2, April 2026 Abstract Excessive self-criticism represents a central barrier to creative expression,
Dr. Pinkie Feinstein, Anat Rodan IPI, The Psycho-Creative Journal, Volume 4, Article 3, April 2026 Abstract This paper examines intuitive painting as a non-verbal, psycho-creative
Dr. Pinkie Feinstein, Mrs. Daniel David Hatzor, The Psycho-Creative Journal, Volume 4, Article 4, April 2026 Abstract This paper examines intuitive painting as a non-verbal
Dr. Pinkie Feinstein, The Psycho-Creative Journal, Volume 4, Article 5, April 2026 Abstract This paper presents intuitive painting as a model for living, extending beyond